"There is a reason why Russia is ready to participate with an OPEC cut - because they are not sure whether they will find somebody to buy this oil," Patrick Pouyanne, chairman of French oil giant TotalEnergies, said at a London oil industry conference. ![]() He warned that Russian companies would "not supply oil to those countries" that introduce such a cap. Russian deputy prime minister Alexander Novak, who is under US sanctions and attended the OPEC+ meeting, said a price cap would have a "detrimental effect" on the global oil sector. The oil production cut could give sanctions-hit Russia a boost ahead of a European Union ban on most of its crude exports later this year and as the Group of Seven wealthy democracies mull a cap on the country's oil prices. The international benchmark, Brent North Sea crude, was up at $93.43 following Wednesday's announcement. ![]() Oil prices rise - OPEC+ decided to slash its output as oil prices fell below $90 per barrel in recent months over concerns about the global economy, after soaring to $140 in the wake of Russia's invasion of Ukraine earlier this year. Western allies led by the United States have tried to isolate Russia's economy, which relies heavily on energy exports, in retaliation for the invasion of Ukraine. National Security Advisor Jake Sullivan and top economic advisor Brian Deese said in a statement that Biden was "disappointed by the shortsighted decision by OPEC+". "It's clear that OPEC+ is aligning with Russia with today's announcement," White House Press Secretary Karine Jean-Pierre said aboard Air Force One. The timing is also bad for Biden's political agenda as it comes ahead of US midterm elections next month. ![]() But the decision drew a swift rebuke from US President Joe Biden, who had made a controversial trip to Saudi Arabia in July under pressure as Americans faced rising prices at fuel stations. Saudi Arabia's energy minister, Prince Abdulaziz bin Salman, defended the move, saying the cartel's priority was "to maintain a sustainable oil market", at a press conference following OPEC+'s first in-person meeting since March 2020. It is the biggest cut since the height of the Covid pandemic in 2020, raising fears that it will turbocharge oil prices at a time when countries are already facing soaring energy-fuelled inflation. The 13-nation OPEC cartel headed by Riyadh and its 10 allies led by Moscow agreed to reduce output by two million barrels per day from November at a meeting in Vienna, the group said in a statement. Roth’s college students emitted a memorably sleazy sense of self-regard and sexual hunger, while their contemporary brethren suggest blandly scrubbed and outfitted action figures who’ve been popped out of a 1980s-era horror-movie playset.Saudi Arabia, Russia and other top oil producers agreed on a major cut in production on Wednesday to boost crude prices - a move denounced by the United States as a concession to Moscow that will further hurt the global economy. By contrast, the villains of Zariwny’s remake are figuratively toothless cartoon bumpkins, obviously played by slumming, costumed actors, who’re less convincing and scary than even the deliberately comedic hillbillies of The Cabin in the Woods. ![]() The rednecks in the original Cabin Fever, with their references to an n-word person who a gun was meant for, felt as if they had actually climbed out of the recesses of America’s id. Roth owned the unpleasantness of this clichéd opposition, embracing an exploitation film’s potential for reveling in guttural class warfare, while Zariwny detachedly regards the material as shtick to be waded through with quotation marks. In both productions, the narrative pivots on the resentment brewing between the locals of a rural woodland community and a group of privileged, callow college students inevitably in town to party, as physicalized by a flesh-eating disease. If nothing else, a contrast between the new and old versions of the film can offer an illustration of how differing filmmakers and contexts can fluidly inform and affect identical material. Zariwny predictably scrubs all the edges and eccentricities down, however, fashioning another impersonally polished cash grab. Savage gore, broad, occasionally tone-deaf comedy, and sporadic bursts of surprisingly intense beauty all comingled with confident unease. For all its derivations, most notably from The Last House on the Left and The Evil Dead, Roth’s Cabin Fever has a rude, feral energy. Travis Zariwny’s Cabin Fever is a scene-for-scene remake of Eli Roth’s 2002 horror film of the same name, using the same script by Roth and Randy Pearlstein, yet there’s a subtle flatness to the new version that dishonorably distinguishes it from its predecessor.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |